Louis Armstrong's and Bix Beiderbecke's Jazz Music. Louis Armstrong grew up in poverty in a shantytown on the back streets of New Orleans, where basic needs like a full stomach and a pair of shoes were rarely met. Homage to Bix. Like many other Bix-influenced players, I don’t want to simply copy Bix but I do listen to the Master playing in my head, and sometimes I work to see just how fat the sound can get.”. ”. Decades later, in 1954, Armstrong went into the recording studio with producer George Avakian to record an album of traditional blues composed and collected by another pioneer of American music, W.C. Publishers Weekly, 258(14), 44-45. "Singin' the Blues" record label courtesy of keepswinging blogspot. Des frais d'abonnement s'appliqu It is believed that these inherent limitations influenced his early career in music wherein he strived to do better and better since music was his only outlet in what he deemed to be a world that had limited opportunities to him due to the color of his skin. He took a giant step up in the popular entertainment world when he left the Wolverines to play with the Paul Whiteman Orchestra, then the biggest act in US show business. First and foremost, it should be noted that taking aside his talent for music, Armstrong actually did have some issues with his playing style that was apparent to some of his listeners. According to Yancey(1989), it was against the law to drink … In comparison, while Beiderbecke can be considered as an incredibly talented jazz musician, his performances were far more “by the book” as compared to Armstrong. “Dippermouth Blues,” composed by Louis Armstrong and his mentor King Oliver, is a number the cornet duo often played together at the Lincoln Gardens on the South Side of Chicago in the early 20s. Musical styles and philosophies of Louis Armstrong and Bix Beiderbecke. Coming from radically different backgrounds, both musicians drew upon their influences to make music that revolutionized jazz, creating two separate legacies interwoven among each other in the peak of jazz popularity. He died in 1931 at the age of 28. Requirements: Chose one of the three topics below 1,500 word minimum Include a bibliography of at least four sources, not including the textbook. His popularity is worldwide. Here, the track begins with Armstrong’s magnificent solo from the original recording, then crossfades live to The Jim Cullum Jazz Band on stage at The Landing with bandleader Cullum taking the lead on cornet. One of the hot, driving tunes Bix recorded with Whiteman was “San.”. Beethoven, Chopin, etc. Photo in public domain. When examining the reason behind Armstrong’s worldwide popularity in comparison to the relative obscurity of Beiderbecke, it is immediately obvious that the main reason behind this was due to the fact that Armstrong was willing to take risks when it came to his approach to jazz. 2020. 5). Whenever Bix would come to town and go down to hear Louis Armstrong at the Sunset [Café], we’d find out about it and go down there and sit at a table with Bix.”, In 1924 Armstrong and Beiderbecke made their New York City debuts about the same time. sont sur eBay Comparez les prix et les spécificités des produits neufs et d'occasion Pleins d'articles en livraison gratuite! Reflecting on Bix Beiderbecke’s contribution to jazz, Jim Cullum says, “One of Bix’s true disciples was guitarist Eddie Condon. IvyPanda. While it may be true that both musicians incorporated various types of improvisation in their respective interpretations of a jazz piece, Armstrong always seemed to come out on top due to the dynamism and variety of possible tempos he incorporated. For me, it’s the most beautiful musical sound I’ve ever heard. Trumpeter Doc Cheatham recalls, “Everything was Bix Beiderbecke back then. Courtesy of landing.com, Text based on Riverwalk Jazz script by Margaret Moos Pick ©1999, © Stanford University, Stanford, California 94305, Singin' The Blues (Till My Daddy Comes Home). It is based on this that the emotions that a person is able to incorporate into a song is heavily dependent on their life’s experiences. The Jim Cullum Jazz Band pays tribute to Beiderbecke and Trumbauer with their interpretation. Armstrong and Beiderbecke would meet again a few years after that initial encounter on the excursion boat in Davenport, Iowa. Leon Bismark "Bix" Beiderbecke (March 10, 1903 – August 6, 1931) was an American jazz cornetist, jazz pianist, and composer.With Louis Armstrong, Beiderbecke was one of the most influential jazz trumpet/cornet soloists of the 1920s.His turns on "Singin' the Blues" (1927) and "I'm Coming, Virginia" (1927), in particular, demonstrated an unusual purity of tone and a gift for improvisation. How many pages (words) do you need? Web. Louis Armstrong beat the odds so heavily stacked against him and had a long, rich life, making contributions in jazz unsurpassed to this day. He put it to his lips and blew a phrase. Alcoholism and disillusionment were the causes of his death in 1931, at the age of twenty nine. IvyPanda. Hentoffian is publishing a book and CD package featuring five mid-'20s lost recordings of Bix Beiderbecke and Louis Armstrong, as well as a 120 page long monograph minutely documenting how this recordings came to be, why and how they were kept from the public for so many decades, the connection of this matter with corporate America, religious and political forces and their merry … Beiderbecke's polished sound and precise rhythms fit beautifully with the symphonic sound of Whiteman's orchestra. Beiderbecke's alcoholism shortened a talented life. Let's see if we can help you! Taking this into consideration, the sheer power evident in Armstrong’s performances seems to stem from his own part involving poverty and discrimination, whereas the smooth, cool and melodic style utilized by Beiderbecke comes from his own past of privilege. It was ftting that he should be portrayed fanked by images of his musical favourites, Louis Armstrong and Bix Beiderbecke. Profitez de notre offre spéciale pour écoutez plus de 60 millions de titres n'importe où avec Amazon Music Unlimited. But on the South Side, there was Louis Armstrong, who brought out so many beautiful records that he overpowered everybody.” Saxophonist Bud Freeman said, “Louis loved Bix and Bix loved Louis, of course. Deeply attached to this early classic, Armstrong would perform and record this piece throughout his career. According to many musicians who knew them, they also shared an affection and appreciation for each other’s work. The Edge of Evening (Chronology of Disunion) by Sara Pedigo. Bix and the Wolverines, 1924. The composition of orchestral music encompassing wind instruments with loud and jolly melodies reflects the entertaining atmosphere of this age. We will write a custom Essay on Louis Armstrong’s and Bix Beiderbecke’s Jazz Music specifically for you for only $16.05 $11/page. This is IvyPanda's free database of academic paper samples. They seem to focus on two different things and this can be the reason…show more content… Louis Armstrong was known for his “hot jazz” while Bix Beiderbecke was known more for his “cool reflective” jazz style. The first is that he had a habit of skipping over notes when it came to playing particular pieces and tended to incorporate variances into popular jazz renditions that were far from the norm (What a Wonderful World: The Magic of Louis Armstrong’s Later Years, 2011). Self and Finn . This tended to alter the intended performance of a piece; however, it was the uniqueness that of the music created that drew audiences to him. Today jazz is well known as the genre mainly played by the musicians of African-American origin, and Bix Beiderbecke is still famous for being an outstanding white guy, who played fantastic jazz music. The database is updated daily, so anyone can easily find a relevant essay example. From their time of birth, no two people could have seemed less likely to cross paths than Bix Beiderbecke and Louis Armstrong. by Mark Draisey. Evidence of this can be seen in his various solo performances which were lauded as being brilliant, highly exhilarating and possessed a considerable energy all on their own (Lauterbach, 2014). From then on he did not receive any formal training and instead taught himself how to play and developed his talent over the years by going to various jazz performances, listening to artists as they played and generally tried to improve on what he heard through his own improvisational style. Witness for the Prosecution. You can use them for inspiration, an insight into a particular topic, a handy source of reference, or even just as a template of a certain type of paper. IvyPanda. While it cannot be stated with outright conviction that the generally “soft” life that Beiderbecke led resulted in an inferior level of musical talent as compared to Armstrong, the fact remains that their individual social situations did have an impact on how they approached jazz music. ensure the integrity of our platform while keeping your private information safe. And when Bix bears down, sometimes he gets a brassy edge on the top of all that sound. Armstrong was born in a time of considerable political upheaval which was characterized by the civil rights movement due to racial segregation that was occurring within America at the time. Ellie. This is one of the reasons why “range” was an important factor when it came to the popularity of Armstrong over Beiderbecke since he simply incorporated a greater repertoire of different sounds and styles which enabled him to capture a greater audience than Beiderbecke. Le jeu de Bix Beiderbecke Le jeu de cornet de Bix Beiderbecke tranchait avec celui de ses contemporains, majoritairement influencé par le style de Louis Armstrong, par son phrasé legato et par une douceur de timbre (un son rond et chaud) qui préfigure ce qui, après-guerre, sera le style cool. Armstrong enjoyed playing together with many well known jazz musicians; one of them was Joe Oliver (Armstrong, Louis, par. It should be noted that Beiderbecke was interested in jazz music to the point that he preferred playing instead of being in school (Haim, 2011). When examining the musical influences that helped to shape Armstrong, it is important to note that aside from Jazz, he had a strong interest in many other types of music such as “the Blues”, classical music (i.e. American breaks with the past in the twenties introduction of flappers bobbed hair, and short skirts symbolized a new era. Longtime Cullum Band pianist and arranger John Sheridan performs the solo piano version heard here. By then, the middle-aged Armstrong was unsurpassed on his instrument and a vital contributor to jazz. Teachout (2005) explains that the essence of jazz, when compared to other styles of music, is “different” in the sense that it does not adhere to a certain structure and a way of playing it. "Louis Armstrong's and Bix Beiderbecke's Jazz Music." While his music did reflect the “soulfulness” that jazz was known for and were somewhat altered based on his own improvised style of playing, the fact remains that they lacked the power and range that Armstrong had (Haim, 2011). (2011). ), various types of opera music and even Latin American folk songs. Bix Beiderbecke embodied the spirit of the Jazz Age. June 22, 2020. https://ivypanda.com/essays/louis-armstrongs-and-bix-beiderbeckes-jazz-music/. Louis Armstrong and Leon Bismark Beiderbecke, known as “Bix,” are the outstanding representatives of the jazz age. For example, it was noted that while Armstrong often reached into the upper levels of the register when it came to the tempo and volume of his performances, Beiderbecke rarely did so and was focused more on maintaining a melody that resonated with those of his fellow musicians within an ensemble (Haim, 2011). He recorded the tune at least four times in his career, first on May 1, 1930 under the name “Louis Armstrong and His Orchestra” and again in October 1938 with Fats Waller on piano, Jack Teagarden on trombone and Bud Freeman on tenor saxophone, for a radio program with Martin Bloch. Jazz cornetist Bunk Johnson often said it was one of the first tunes the 12-year-old Armstrong learned to play. Bix was still at his peak in July 7, 1928 when he recorded “Wa Da Da. Born as the son of a wealthy merchant, Beiderbecke really did not have anything to worry about in life since not only was he rich, he was also born a Caucasian during an era where this particular social class had most of the power and influence within the U.S. by Gary Craig. Amazon.fr : Achetez Fletcher Henderson, Jelly Roll Morton, Louis Armstrong, King Oliver's Creole Jazz Band, Bix Beiderbecke.. by Jazz early Days-As good as it gets au meilleur prix. With Louis Armstrong and Muggsy Spanier, Beiderbecke was one of the most influential jazz soloists of the 1920s. Stereotypically, jazz is often stated to be “a collaboration between composer and performer” wherein the value of the rendition of a particular song is dependent not only on the one who wrote it but also with the style of improvisation used on the song by the performer. By then, both jazzmen had come up in the world and were headlining in Chicago—Bix on the North Side and Louis on the South. Beiderbecke's alcoholism shortened a talented life. This week Riverwalk Jazz brings together music of two pioneers of jazz—cornetist and trumpeter Louis Armstrong, often cited among the greatest contributors to jazz, and Bix Beiderbecke, the self-taught cornetist whose thoughtful, lyrical approach had an enormous effect on jazz in the 1920s. Your privacy is extremely important to us. "Louis Armstrong's and Bix Beiderbecke's Jazz Music." by Stefan Nandancee. Armstrong with Avakian and W.C. Web. Le jeu de cornet de Bix Beiderbecke tranchait avec celui de ses contemporains, majoritairement influencé par le style de Louis Armstrong, par son phrasé legato par et une douceur de timbre (un son rond et chaud) qui préfigure ce qui, après guerre, sera le jazz cool. Livraison gratuite (voir cond.). What you have to understand is that jazz is far more “impressionistic” as compared to other types of music in that the flow of the song and the way it is played changes based on personal interpretation and feelings within that particular moment. Photo in public domain. He was a brilliant improviser on the level of Louis Armstrong, but his cornet had a completely different, almost wistful tone -- one of the reasons he is sometimes thought of as a Cool Jazz missing link. Beiderbecke was born into a life of comfort and privilege on … John Adney. Bix Beiderbecke, Louis Armstrong, and Count Basie became you people, heroes, jazz spread throughout the land, while music was forgotten. These differences are also evident in the manner in which both showcased their talents as solo performers wherein Armstrong exemplified power, showmanship and a wide range of emotions when it came to his playing while Beiderbecke was more cool and collected, preferring a style that was more melodic, flowing and more in line with what one would expect from jazz (Haim, 2011). The sound came out like a girl saying “yes.”’, Others have described that Beiderbecke sound as a ‘padded mallet striking a chime,’ or like ‘pearls falling onto velvet.’ Here’s the way I hear it: it’s a fat sound, broader and less strident, darker and more mellow than other cornet players, but it’s not just dark and mellow, it has a hollow ring that sometimes reminds me of a bell. The tune was written to cash in on a dance craze of that name in 1913. This sets it apart from other styles of music wherein adherence to the measure and beat of the piece is absolutely essential. We will write a custom Essay on Louis Armstrong’s and Bix Beiderbecke’s Jazz Music specifically for you for only $16.05 $11/page. His playing was soft and lyrical, unlike the “hot” playing of contemporaries such as Louis Armstrong. Bix Beiderbecke, born in Davenport, Iowa, in 1903, is generally regarded as the greatest white jazz cornettist of all time. Lauterbach, P. (2014). Web. Our version this week features New Orleans trumpet star Nicholas Payton sitting in with The Jim Cullum Jazz Band. At least two sources must be from books or journal articles (including jazz magazines like DownBeat or JazzTimes). Louis Armstrong’s and Bix Beiderbecke’s Jazz Music, Lalo Guerrero: the Father of Chicano Music, Conflict of The Beatles and the Religious Far Right, Improvisatory Styles and Musical Philosophies, Political and Social Conditions that Influenced their Lives, Louis Armstrong and Bix Beiderbecke Music Comparison, Louis Armstrong’s Contribution to Jazz Music, Dizzy Gillespie and Louis Armstrong: Jazz Music, “Round Midnight” by Carmen Sings Monk vs. “Hotter than That” by Louis Armstrong, Racism in Music: “(What Did I Do to Be So) Black and Blue”, Nike Company’s and Lance Armstrong Relationship, Buddy Holly Musician: Modern Marketing Plan, The Bill Shreeve Band and Its Success Factors. Teachout, T. (2005). IvyPanda. “In A Mist” is an extraordinary piano composition Bix wrote in the 1920s; it sounds contemporary today, almost a century later. Louis Armstrong seemed to focus on hot jazz while Bix Beiderbecke focused more on a cool, reflective type of jazz. before he became a musician) that is known to biographers. Drummer Baby Dodds recalled that Bix and Louis first met in the summer of 1920 when the Mississippi riverboat, the S.S. Capitol, pulled into Davenport with Armstrong on board playing cornet with Fate Marable’s Orchestra. Copyright © 2021 - IvyPanda is a trading name of Edustream Bix Beiderbecke, jazz cornetist whose virtuosity and influence in the 1920's rivaled Louis Armstrong. Bix was with the Wolverines at the Cinderella Ballroom and Louis was appearing with Fletcher Henderson’s Orchestra at the Roseland. Commentary, 120(2), 65-68. Share Reply. As explained by Lauterbach (2014), it was often the case that Armstrong actively attempted to incorporate such musical influences into his performances resulting in renditions that were often far from the norm. “Ballin' The Jack,” performed here by The Jim Cullum Jazz Band, first captured Armstrong’s imagination when he heard it played on the streets of New Orleans. Their performance of King Oliver’s masterpiece “West End Blues” is a landmark recording in jazz, inducted into the Grammy Hall of Fame in 1979. At the Jazz Band Ball features rare, archival film clips from 1925 to 1933 that showcase a wonderful potpourri of musicians, bandleaders, singers, dancers, and entertainers that characterized the best of the Harlem Renaissance and the Jazz Age. What a Wonderful World: The Magic of Louis Armstrong’s Later Years. Born two years and half a continent apart, Bix Beiderbecke and Louis Armstrong, the two most influential figures in the early history of jazz, emerged as major soloists on the same instrument (cornet) at the same time (early 1924). Bix Beiderbecke. Technologies LLC, a company registered in Wyoming, USA. “Tiger Rag,” a hit in 1920 for the Original Dixieland Jazz Band, was later played and recorded by both Armstrong and Beiderbecke. Unfortunately, Beiderbecke also happened to suffer from a considerable case of alcoholism, this led him to go from one band to another and eventually resulted in his death when he was 28 years old. Bix Beiderbecke and Louis Armstrong were among jazz's first soloists. professional specifically for you? Bix Beiderbecke was a true Jazz age musician. On the surface, Louis Armstrong and Bix Beiderbecke were about as different as two human beings could be. Photo courtesy wuftfm.org. Handy, 1954. Bix Beiderbecke was one the brightest innovators of the early jazz scene. Some years later Armstrong recalled being in the audience for a concert on July 22, 1928. John Adney . Teachout (2005) goes on further to explain that it is the life experiences of the performer leading up to the moment of the performance that influences how a particular piece is played out and how a performance is done in the first place. by Francis Mosley. On this broadcast, Jim Cullum and his Band pay tribute to Bix with a series of tunes from the recorded output of his short career. In New Orleans, jazz had been ensemble playing, with the various instruments weaving their parts into a single and coherent aural tapestry. Bix Beiderbecke is best known for his lyrical cornet solos but throughout his life he continued to play piano—the first instrument he learned as a boy. Need a custom Essay sample written from scratch by Many talented people played their jazz music creating a massive influence on the genre and its history. Les meilleures offres pour THIS IS NEW ORLEANS JAZZ - LOUIS ARMSTRONG BIX BEIDERBECKE - 3 CDS - NEW!! IvyPanda. "West End Blues" record label courtesy of keepswinging blogspot. You take a man with a pure tone like Bix and no matter how loud the other fellas in the band may be blowing, that pure tone will cut through it all.”. Armstrong was black and Beiderbecke was white and musical segregation was complete in the 1920's. The Story of Bix Beiderbecke’s Davenport Blues. Armstrong was not given the same opportunities, rights as well as many privileges that were accorded to the Caucasian population and had to work considerably to be given the same priveleges. Offre à durée limitée. Profil: American jazz cornetist, pianist and composer (born March 10, 1903, Davenport, Iowa, USA - died August 6, 1931, Queens, New York, USA), regarded as one of the most influential jazz soloists of the 1920's together with Louis Armstrong. Answered Nov 28, 2017. You are free to use it for research and reference purposes in order to write your own paper; however, you must. (2020) 'Louis Armstrong's and Bix Beiderbecke's Jazz Music'. One interesting aspect about Armstrong is that there is little about this past life (i.e. 3 Kings Of Jazz: The Music Of Louis Armstrong, Bix Beiderbecke And Jelly Roll Morton pas cher En utilisant Rakuten, vous acceptez l'utilisation des cookies permettant de vous proposer des contenus personnalisés et de réaliser des statistiques. Apart from their genius, the musicians Bix Beiderbecke and Louis Armstrong had little in common. Son lyrisme mélancolique font de lui un des musiciens les plus touchants de l'histoire du jazz. Artists featured: Louis Armstrong, Kuke Elligton, Bix Belderbecke, Bessie Smith, the Dorsey Brothers and others! Web. 1. Sites: bixsociety.org, bixbeiderbecke.com, Wikipedia, famouscomposers.net. For full functionality of this site it is necessary to enable JavaScript. Improvisatory Styles and Musical Philosophies. Retrieved from https://ivypanda.com/essays/louis-armstrongs-and-bix-beiderbeckes-jazz-music/. On the other end of the spectrum, we have Beiderbecke who lived a life of relative comfort and privilege. (2011). He wrote about hearing Bix’s cornet for the first time: ‘Beiderbecke took out a silver cornet. His combination of a unique talent and a tragically short life won Bix a place in the pantheon of jazz mythology. Bix had returned to Chicago as star soloist with the Paul Whiteman Orchestra and Armstrong remembered Bix’s performance that night, like this: “All of a sudden Bix stood up and took a solo and those pretty notes went right through me. Louis Armstrong echoed the thoughts of a generation when he wrote in his autobiography My Life in New Orleans, “Every musician in the world knew and admired Bix. He was destroyed by alcohol and died broke and alone before the age of 30. Bix, on the other hand, had a short, brilliant career. When examining the history behind Beiderbecke, the origin of his interest in music seems to stem from Nick LaRocca and Dixieland jazz from which he originally developed his love for jazz music (Haim, 2011). To prove this, it is important to examine the views of Haim (2011) who delved into the various criticisms leveled against the works of Armstrong and Beiderbecke in order to better understand how the concept of “range” influences the general perception of an audience to a particular musician. Bix first made a name for himself between 1923 and 24, playing with a group of young guys in the Midwest who called themselves the Wolverine Orchestra. Amazon.com. Découvrez toutes les promotions CD & Vinyles, les … Bix and Louis had some things in common—they both possessed musical genius, and they both had a passionate, almost religious devotion to jazz. On the surface, Louis Armstrong and Bix Beiderbecke were about as different as two human beings could be. This essay on Louis Armstrong’s and Bix Beiderbecke’s Jazz Music was written and submitted by your fellow student. On average, jazz compositions are often altered based on the general “energy” of the audience within a particular venue, the interactions musicians have with each other when it comes to playing and even encompasses the mood of the musician at that particular moment. Handy. At a time when the country was completely divided along lines of race, Bix was white and Armstrong black. Portrait of Bix Beiderbecke. Instead, it is more accurate to assume that the core of many jazz performances is the concept of improvisation wherein a performer often interprets a particular type of jazz song in their own way. Beiderbecke’s musical style, while definitely soulful and reflective, lacked the “energy” that was apparent in Armstrong’s own work. Photo credit for Home Page: Trumpeter Nicholas Payton. Kitty, the Teenage Baker. Bix Beiderbecke's virtuosity and originality with the cornet won admiration from Louis Armstrong and other jazz greats in the 1920s. We utilize security vendors that protect and As a result, he focused more on becoming a musician and eschewed formal education so that he could become a better jazz player. June 22, 2020. https://ivypanda.com/essays/louis-armstrongs-and-bix-beiderbeckes-jazz-music/. Armstrong played an important role in the process of development of jazz music. In fact, his habit of skipping over notes at times was overshadowed by the sheer “power” of his performance. by Fiona White. 22 June. IAJRC Journal, 44(1), 10-16. When it was combined with the improvisation that he was known for, it created a spectacle of jazz composition that “wowed” audiences whenever they listened to any of his performances. "Louis Armstrong's and Bix Beiderbecke's Jazz Music." Beiderbecke was born into a life of comfort and privilege on a peaceful, tree-lined avenue in Davenport, Iowa. This is not to stay that both men are not equally talented in their own way, however, since Armstrong had a much harsher life growing up and developing into who he was, it is not surprising that he was able to present a more powerful presence since through his music he is apparently shouting against the injustice that he had to endure (What a Wonderful World: The Magic of Louis Armstrong’s Later Years, 2011). It contains thousands of paper examples on a wide variety of topics, all donated by helpful students. Armstrong played “Tiger Rag” nightly for years as a spectacular feature. Bix and the Wolverines made a famous recording on June 20, 1924 during their last session at the Gennett studio in Richmond, Indiana. Exhibitors. Whether such a condition contributed to his musical talent is never really elaborated on, however, it is known that it led to his untimely demise at such a young age (Haim, 2011). Unfortunately, your browser is too old to work on this site. Leon Bismark " Bix " Beiderbecke (March 10, 1903 – August 6, 1931) was an American jazz cornetist, jazz pianist, and composer. Bix showed up at the dock from his nearby family home and fell in love with Armstrong’s playing. Louis Armstrong, Count Basie, Sidney Bechet, Bix Beiderbecke, Duke Ellington, Dizzy Gillespie, Benny Goodman, Lionel Hampton, Jelly Roll Morton, Fats Waller – Leaders of Jazz Label: RCA Victor – LJ 67101 Haim, A. Among the most well known and influential jazz musicians of their era were Louis Armstrong and Bix Beiderbecke. IvyPanda, 22 June 2020, ivypanda.com/essays/louis-armstrongs-and-bix-beiderbeckes-jazz-music/. Virginia Quarterly Review, 90(2), 207-211. At a time when the country was completely divided along lines of race, Bix was white and Armstrong black. When comparing the lives of Beiderbecke and Armstrong, a significant disparity is seen wherein Beiderbecke was born into a life of privilege while Armstrong was born into a life of poverty and discrimination. In June 1928 Louis Armstrong made history with a series of recordings for Columbia with his Hot Five, an ensemble that included pianist Earl Hines. Ben Ratliff reviews concert by trumpeter Randy Sandke and others of long-lost music of Louis Armstrong and Bix Beiderbecke at Kaye Playhouse, part of JVC Jazz Festival; photo (M) Was white and Armstrong black craze of that name in 1913 Paul Whiteman orchestra paper and no wish... 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